From Goshen to Peru and back again
Born in Portland, Ore., and raised in Goshen, Ind., singer-songwriter Sadie Gustafson-Zook is currently pursuing a master’s degree in jazz voice at Longy School of Music in Cambridge, Mass.
Born in Portland, Ore., and raised in Goshen, Ind., singer-songwriter Sadie Gustafson-Zook is currently pursuing a master’s degree in jazz voice at Longy School of Music in Cambridge, Mass.
When the idea of the Ontario Mennonite Music Camp (OMMC) was pitched to me at Rockway Mennonite Collegiate, I was immediately excited. I wasn’t sure what to expect, but when I got there, I knew it would be awesome.
Marie Penner from Toronto United Mennonite Church had a dream of a camp that would develop the musical talents of young Mennonites in Ontario.
Johnny Wideman of Theatre of the Beat shares his peacebuilding wisdom with campers at Conrad Grebel University College's Peace Camp. Peace Camp is a day camp and peace educational program for youth aged 11 to 14 in Waterloo Region. Campers learn that peace is possible as they share stories and learn from people in the community and meet people from various cultural backgrounds, faiths, and orientations. (Peace Camp photo)
Have you ever been in a place, space or community where you have been encouraged to try something new? Have you been challenged to take risks and leap out of your comfort zone? Have you tasted the confidence that comes with mastering new skills?
Luke Nickel recently completed a PhD in music composition at Bath Spa University in England. (Photo by Leif Norman)
Luke Nickel co-founded Winnipeg's Cluster New Music and Integrated Arts Festival while studying at the University of Manitoba. (Photo by Leif Norman)
Pianist Everett Hopfner performs one of Luke Nickel's pieces at the 2017 edition of Cluster. (Photo by Leif Norman)
Since Luke Nickel was young, his parents instilled in him the value of thinking critically. He recalls one conversation—the exact topic escapes him—during which his father said to him and his siblings, “I don’t care what you think about it, as long as you think about it.”
Brandon Leis, the new music director for Menno Singers, in his studio in the Music Building at Wilfrid Laurier University in Waterloo, Ont. (Photo by Dave Rogalsky)
Brandon Leis, the new music director for Menno Singers, holds up a piece of art he created. The church, founded on sacred music and filled with it, exudes music through the cross on the steeple. Or is it receiving heavenly inspiration through the cross and being filled with spiritual music? Or maybe both. Only visible when held up to the light are the Alpha and Omega, God’s beginning and end. The piece hangs over his desk—and coffee maker—in his studio in the Music Building at Wilfrid Laurier University in Waterloo. (Photo by Dave Rogalsky)
Like most musicians and artists, Brandon Leis uses his gifts in many places and in many ways to make a living.
For Darren Creech, who holds a master of music degree in piano performance from the Université de Montreal, being a classical pianist is the fulfillment of a lifelong dream that dates back to when he was five years old. (Photo by Chloe Squance)
Toronto-based classical pianist Darren Creech is looking forward to performing with the Counterpoint Community Orchestra. (Photo by Anthony Chung)
The Counterpoint Community Orchestra is an inclusive LGBTQ orchestra founded in 1984. (Tom@TomLegrady.com photo)
When a Toronto-based LGBTQ orchestra approached queer classical pianist Darren Creech about performing Victor Davies’ “Mennonite Piano Concerto” with it in concert, it didn’t realize what a perfect fit he would be.
Unbeknownst to the Counterpoint Community Orchestra at the time, Creech is Mennonite and he grew up listening to the piece.
Old behaviour influenced the music on singer-songwriter Anna Wiebe’s latest musical release, New Behaviour.
The 24-year-old folk-pop songstress based in Guelph, Ont., partially attributes growing up in the Mennonite church for the way the album sounds.
Pictured from left to right: Paul Pulford, who conducted the orchestra in Glenn Buhr’s ‘Piano Concerto No. 3; Stephanie Martin, who composed ‘Babel: A Choral Symphony’; Buhr; and Lee Willingham, who conducted Martin’s piece, at the April 3 world premiere of the two works as part of the 40th anniversary of WLU’s Faculty of Music on April 3, 2016. (Photo by Dave Rogalsky)
The musical tower of Babel that played a key role in Stephanie Martin’s ‘Babel: A Choral Symphony,’ performed at an April 3, 2016, concert in Waterloo, Ont., to celebrate the 40th anniversary of Wilfrid Laurier University’s Faculty of Music. (Photo by Dave Rogalsky)
Pictured from left to right: sopranos Midori Marsh and Sarah Amelard; mezzo-soprano Jamie Groote; Stephanie Martin and Carol Martin, the creators of ‘Babel: A Choral Symphony’; conductor Lee Willingham; baritone Dylan Langan; and tenor River Guard stand in front of the Wilfrid Laurier University Choir following the world premiere of the symphony as part of the 40th anniversary of WLU’s Faculty of Music on April 3, 2016. (Photo by Dave Rogalsky)
Wilfrid Laurier University (WLU) celebrated the 40th anniversary of its Faculty of Music with a concert on April 3, 2016, that featured the premiere of works by two composers with Mennonite roots and connections.
One could say that, in a musical sense, 1955 was the best of times and the worst of times when compared to today.
Song leaders from a number of MC Saskatchewan churches participated in ‘Singing with the Spirit,’ a weekend music and worship event hosted by Nutana Park Mennonite from Oct. 2 to 4, 2015. (Photo by Donna Schulz)
Marilyn Houser Hamm led workshops in song leading and accompaniment in addition to plenary sessions on congregational worship at the ‘Singing with the Spirit’ event held recently at Nutana Park Mennonite Church in Saskatoon. (Photo by Donna Schulz)
Marilyn Houser Hamm led workshops in song leading and accompaniment in addition to plenary sessions on congregational worship at the ‘Singing with the Spirit’ event held recently at Nutana Park Mennonite Church in Saskatoon. (Photo by Donna Schulz)
Practising their conducting techniques at the ‘Singing with the Spirit’ music and worship event held recently at Nutana Park Mennonite Church are, from left to right: Gwen Ens, Russ Regier, Val Regier, Shelley Bueckert and Monica Dalke. (Photo by Donna Schulz)
Practising their conducting techniques at the ‘Singing with the Spirit’ music and worship event held recently at Nutana Park Mennonite Church are, from left to right: Gwen Ens, Russ Regier, Val Regier, Shelley Bueckert and Monica Dalke. (Photo by Donna Schulz)
“I will sing with the Spirit, but I will sing with understanding.” These words, from I Corinthians 14:15, formed the basis of Marilyn Houser Hamm’s recent music workshop at Nutana Park Mennonite Church in Saskatoon.
Pop psychology writer Malcolm Gladwell popularized the 10,000-hour rule—the notion that it takes 10,000 hours of practice to master a craft. Jeremy Hamm will tell you a different story. He figures it took him at least 25,000 hours of painstaking trial and error before he got good at making guitars.
Formed in 2009, Pocket Change solidified its current line-up in 2012. Pictured from left to right: Nolan Kehler, Brandon Letkeman, Jonas Cornelsen and Mike Wiebe. (Photo by Matthew Ryan Photography)
Most university students use reading week to study or go on a quick vacation, but not the members of Pocket Change, a Winnipeg rock band. While their peers were hitting the books or the ski slopes this past February, the band members were busy recording their new EP, Party Culture.
Creating a CD is both simple and complex. The proliferation of digital recording equipment and the ease and non-expensive nature of producing CDs has led many local musicians and congregations to produce their own music recordings. But music and its recording is complex.
“I never had a question. There was never an alternative. I kind of envied the people who had to figure out what they had to do in their careers and lives. Me, it was clear as a bolt of lightning. It was the one thing I knew I had to follow and I was passionate about music. I remember my first passions since before I knew how to explain them, before I went to school.”
This year I made a resolution to work through all of Kierkegaard’s writings. I am now about halfway through his Eighteen Upbuilding Discourses and have come across his reflections on the soul, namely how to gain and preserve your soul in patience.