Volume 25 Issue 17

Three chairs: In, out and up

One of the three chairs represents the directee, or client, who is seeking support on their spiritual journey. The second chair represents the spiritual director—the one who is listening in three directions: Out, to their client; up to God; in, to notice their own responses. The third chair is a reminder that the real spiritual director is the Holy Spirit. (Photo by Ralph Brubacher)

Three chairs, clustered together, facing inward, illustrate much of the nature of the listening ministry that is often called spiritual direction. (Photo by Ralph Brubacher)

When I was taking part in the Ontario Jubilee program in soul care and spiritual direction, one of the principles that guided our time together was that everything we did as a whole group happened in a circle.

Der Bote 1924

(Photo: Mennonite Heritage Archives / Henry T. Klassen)

The German-language periodical Der Bote was begun in Rosthern, Sask., in 1924, to connect Mennonites in Russia, Canada, the United States and Latin America. It had generations of faithful readers, like Mrs. Lepp, pictured. Der Bote recorded the pain and loss of home and loved ones. It provided advice on how to improve farming practices in times of drought.

What will church look like?

(Photo by Debby Hudson/Unsplash)

Church is not the building. We’ve heard that often over the last 18 months. But now that some congregations are back in their building, with the rest trying to figure it out, I wonder who will come back? And what will we come back to?

I have heard a variety of opinions around me, which may be a microcosm of many of our congregations.

Gutter cleaning fundraiser for Wi-Fi boosters

Florence Irasubiza of the Democratic Republic of Congo, left, and Helena Chokpelleh, a Liberian who attends Holyrood Mennonite Church in Edmonton, clean gutters as a fundraiser to buy Wi-Fi boosters for low-income newcomer families. Community connector Emmanuel Mbonimpa is in front of the ladder. (Photo by Joanne De Jong)

Helena Chokpelleh of Holyrood Mennonite Church, left, and Goanar Tut of South Sudanese Mennonite Church, hold up the certificates they received in July 2021 after completing the Civic Engagement by Newcomer Youth program at the Edmonton Mennonite Centre for Newcomers. Tut’s dog is named “Scottie.” (Photo by Joanne De Jong)

Two Mennonite high school students from African countries were interviewed and accepted into the Civic Engagement by Newcomer Youth program last fall through the Edmonton Mennonite Centre for Newcomers. One of the requirements for the participants is to identify a problem or issue in the community they care about and come up with a plan to address that issue in some way.

Staying strong

Dear to the hearts of congregants at Hamilton (Ont.) Mennonite Church over the past year of the pandemic are two prayer books used for the weekly midday prayers, the children’s prayer boxes and a bookshelf quilt. (Photo by Alissa Bender)

At a time when many churches are dealing with declining numbers in their pews, Hamilton (Ont.) Mennonite Church has grown. Membership in 1965 was 28; before the pandemic attendances averaged about 70 each Sunday; then, in 2020, attendance more than doubled.

Plaque honours Mennonite maids of Vancouver

Young Mennonite women served as domestics to help their families repay debt. (Photo courtesy of Ruth Derksen Siemens)

Mennonite women pose in front of the Mary Martha Home. (Photo courtesy of Ruth Derksen Siemens)

A group of young women from the earliest Mennonite Brethren Girls’ Home (Bethel Home). (Photo courtesy of Ruth Derksen Siemens)

Women enjoying some music at the General Conference Girls’ Home (Mary Martha Home)(Photo courtesy of Ruth Derksen Siemens)

Wearing stiff, uncomfortable uniforms was expected of the Mennonite girls and women who worked as house maids in Vancouver from the 1930s to the ’60s. (Mennonite Historical Society of B.C. photo)

A new plaque honours the young Mennonite women who worked as domestic help in Vancouver in the mid-20th century.

An initiative of The Places That Matter, this is No. 89 of 125 commemorations erected by the Vancouver Heritage Foundation plaque project, launched in 2011 with a grant from the Government of Canada’s Celebrate Vancouver 125.

Renewing life on the stage

Henry Schroeder, chair of the Winnipeg Mennonite Theatre board, began acting with the troupe in 1974. ‘Our productions these days are much more modest efforts, but the creative energy and the love of theatre are still there,” he says. (Photo by Nicolien Klassen-Wiebe)

The Winnipeg Mennonite Theatre cast on the set of Der Zigeunerbaron (The Gypsy Baron) presented in 1979 at the Pantages Playhouse Theatre, which, at that time, seated more than 1,600 people. On opening night, the box office had to put up the SRO (sold right out) sign. (Photo by Nicolien Klassen-Wiebe)

‘Our productions these days are much more modest efforts, but the creative energy and the love of theatre are still there,” says Henry Schroeder, chair of the Winnipeg Mennonite Theatre board. (Photo by Nicolien Klassen-Wiebe)

Catherine Enns, right, acts in Winnipeg Mennonite Theatre’s production of Hamlet, presented in 1984 at the Pantages Playhouse Theatre. It was a full-length production, performed all in German. (Photo by Nicolien Klassen-Wiebe)

Mennonites are sometimes associated with their four-part harmony rather than their acting, but one group has been making a name for Mennonites in the theatre for decades. Winnipeg Mennonite Theatre, a not-for-profit amateur community theatre company, is celebrating its 50th anniversary in 2022.

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