Theatre of the Beat

Theatre group tackles abuse

Theatre of the Beat performs ‘I Love You and it Hurts.’ (Photo by Cedric Martin)

Interactive theatre requires audience participation, explained Cedric Martin as he introduced “I Love You and It Hurts,” a Theatre of the Beat performance held at the Kitchener Public Library on September 30. “Don’t panic,” he added quickly, promising that no one would be coerced or shamed into participating.

‘Staging change’

Calvin Peterson as Jay, right, and Lindsey Middleton as Addi, perform a scene from Unmute.

Calvin Peterson as Jay, left, and Lindsey Middleton as Addi, perform a scene from the play Unmute.

The Unmute poster designed by Ali Carroll.

Twenty-six times since November, audiences have had the opportunity to participate in changing the story of gender-based violence. That is how many times Theatre of the Beat, a Canadian touring theatre company, has staged Unmute: The Impact of a Pandemic on Gender Based Violence, a forum theatre piece performed entirely through the video-conferencing platform, Zoom.

Theatre of the Beat presents free online performances of latest production

Southern Ontario-based dramatic arts company Theatre of the Beat is staging the final performances of its latest production, Unmute. Written by Theatre of the Beat members Cedric Martin, Lindsey Middleton and Kimberlee Walker, Unmute is a forum theatre piece that addresses the rise of domestic violence and gender-based assault during COVID-19. “Immerse yourself in this important and timely piece that gives audience members the chance to rehearse scenarios for real life,” Theatre of the Beat states on its website.

Keeping the arts alive during the pandemic

Cedric Martin, artistic producer and actor for Theatre of the Beat, records his part in Yellow Bellies the Audio Drama in his closet. (Photo courtesy of Theatre of the Beat)

Johnny Wideman, playwright, actor and co-founder of Theatre of the Beat, records his part in Yellow Bellies the Audio Drama from his home. (Photo courtesy of Theatre of the Beat)

The cast of Yellow Bellies the Audio Drama records altogether through a Zoom call. Pictured from left to right, top row: actor Johnny Wideman, actor Cedric Martin and musician Joe McLellan; and bottom row: actor Kimberlee Walker and director Sukhpreet Sangha. (Photo courtesy of Theatre of the Beat)

The historical photo, left, that inspired the visual, right, for Yellow Bellies, the original play produced as live theatre and now as an audio drama by Theatre of the Beat. (Photo courtesy of Theatre of the Beat)

A promotional poster for Yellow Bellies the Audio Drama. (Photo courtesy of Theatre of the Beat)

Cedric Martin, artistic producer of Theatre of the Beat, knows that live theatre “will be one of the last gatherings to be allowed again” as businesses reopen in the shadow of COVID-19. That reality forced the staff of the Canadian touring company to get creative.

 

Staging change behind bars

Johnny Wideman and Kimberlee Walker are members of Theatre of the Beat and co-facilitators of the restorative-justice drama program. (Photo courtesy of Kimberlee Walker)

Ontario’s Theatre of the Beat has a mandate of staging change and creating conversations around social justice issues, but that’s also happening in communities beyond the Mennonite enclaves the company brings its plays to.

Peacebuilding beyond borders

Theatre of the Beat actor Lindsey Middleton performs at the Global Mennonite Peacebuilding Conference in the Netherlands. (Photo courtesy of Theatre of the Beat)

Theatre of the Beat actors Meghan Fowler and Brendan Kinnon perform at the Global Mennonite Peacebuilding Conference in the Netherlands. (Photo courtesy of Theatre of the Beat)

Silvie Kroeker speaks at the Global Mennonite Peacebuilding Conference in the Netherlands with her father, Gordon Zerbe. (Photo courtesy of Silvie Kroeker)

The second annual Global Mennonite Peacebuilding Conference and Festival took place in Elspeet, the Netherlands, between June 27 and 30. It brought people together with the aim of reflecting on Mennonite peacebuilding accomplishments, failures, opportunities and challenges in various settings.

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