Bethany Horst sings in the benefit concert in Kitchener on May 24, 2015, helping raise funds for MCC’s Nepal Relief fund. (Photo courtesy of the Grand Philharmonic Choir)
With the Canadian Federal Government’s pledge to match funds for Nepal relief coming to an end, a flurry of events in Waterloo and Toronto raised an additional $28,000 on May 24.
The apocryphal book of Judith contains the story of a righteous Jewish widow who saves her people from the ravages of the Assyrian/Babylonian army led by Holofernes. While her city is besieged she leaves with her maid and is welcomed into the general’s tent. He thinks he will seduce her, but when he is alone with her and drunk from partying, she beheads him.
Ken Esau, right, director of biblical studies at Columbia Bible College, cuts the ribbon opening the Metzger Collection to the public. At left is Greg Thiessen, collection manager. (Photo by Amy Dueckman)
A one-of-a-kind collection of museum-quality art and artifact replicas has found a permanent home at Columbia Bible College. With the cut of a ribbon, the Metzger Historical Collection was officially opened to the public on March 14 in the basement of Columbia’s Resource Centre.
“Faith and death: An evening with Rudy Wiebe” drew an interested crowd to hear the noted Canadian Mennonite author speak at Trinity Western University (TWU) on March 3.
‘Barn raising,’ an iconic image by David L. Hunsberger of mutual aid, has come to define the essence of community for many, including Governor General David Johnston. (Photo by David L. Hunsberger, The Mennonite Archives of Ontario)
With his camera and notepad, David L. Hunsberger captured on film Mennonite life in Waterloo Region in the 1950s and ’60s. (The Mennonite Archives of Ontario)
Pastor Wilfred Ulrich greets his congregation at Stirling Ave. Mennonite Church, Kitchener, Ont., on a Sunday morning in 1958. (Photo by David L. Hunsberger, The Mennonite Archives of Ontario)
Abner Martin, founder of the Menno Singers, examines one of David L. Hunsberger’s photographs on display at Conrad Grebel University College, Waterloo, Ont., at the show’s opening on Feb. 27, 2015. (Photo by Dave Rogalsky)
According to Paul Heidebrecht, director of Conrad Grebel University College’s MSCU Centre for Peace Advancement, “Advancing peace requires many hands. It requires shoulders to lean on, and to stand on. It is sustained by the mundane tasks that make daily life possible. Peace becomes possible when we experience genuine community.”
A buzz of conversation filled the Bethany Manor fellowship hall as about 150 people gathered to celebrate the launch of three new books by Saskatchewan authors.
Jake Buhler, president of the Mennonite Historical Society of Saskatchewan, which hosted the Feb. 22 event, said that “promoting the telling of stories” is something his organization needs to do.
“It’s a good thing you in the church are discussing homosexuality, because otherwise I don’t think you would be discussing sex at all,” was one of many funny lines Ted Swartz threw to an overflow crowd, acting as a widowed father in his 50s named Daryl in dealing with his son, Jared, “coming out” as a gay man.
Artist Lynda Toews is pictured in her studio with some of her works from ‘A place in the kingdom: Paintings and heritage stories celebrating farm animals,’ on display at the Mennonite Heritage Centre Gallery in Winnipeg until June 20. (Photo by Gary Brown)
‘Supper Chores’ by Lynda Toews (acrylic on canvas) - ‘I recently learned that there was a time when cows were milked right on the field, instead of being herded into barns,’ says artist Lynda Toews. ‘Of course the farmer may only have owned a few cows. The housebarn in the background was my great grandfather’s in Blumenhof, Man., and the late autumn afternoon landscape is invented.’
‘Equally Yoked’ by Lynda Toews (acrylic on canvas) - ‘I obtained permission from Janet Kehler, the graphic artist for the South East Manitoba Draft Horse Association, to use her photograph of Mark and Tracy Bergen’s Percheron mares,’ explains artist Lynda Toews. ‘Many of my paintings are based on photographs that members of this association have allowed me to take of their horses and this is much appreciated.’
With brilliant and detailed clarity, Manitoba artist Lynda Toews has painted a series of farm animal portraits that will be on display at the Mennonite Heritage Centre Gallery in Winnipeg from March 13 to June 20.
“Walls became an obsession when I went to Berlin in 2010,” artist Rhonda Harder Epp told the crowd at the opening of her Walls: Arbitrary Impediments art exhibition at King’s University College, Edmonton, last month.
The Rosco boys, from left to right: Trevor Hunsberger, producer; Ken Ogasawara, writer/actor; and Jonathan Steckley, writer/director. (Photo courtesy of Rosco Films)
Ken Ogasawara, right, hangs out with a friend in The Volunteer, exchanging stories and working through bad relationships. (Photo courtesy of Rosco Films)
When filmmakers get around to showing their work to their family and community, it is usually a past project for them.
Such was the case for Rosco Films, whose principals—Jon Steckley, Ken Ogasawara and Trevor Hunsburger—grew up at Shantz Mennonite Church, Baden, Ont.
Nine months after Darren Aronofsky’s biblical spectacle, Noah, we get Ridley Scott’s biblical spectacle, Exodus: Gods and Kings. I wasn’t a big fan of Noah, but at least it was original and made some effort to bring a 21st-century perspective to the familiar Sunday school story.
“We’re not meant to save the world; we’re meant to leave it.” So says the protagonist of Interstellar, a grand science fiction epic from Christopher Nolan. One of Hollywood’s best ‘blockbuster’ directors (Inception, the Dark Knight trilogy), he has created the best film to come out of Hollywood this year. It may also be the most dangerous.
Aden Bauman sits at his home work bench after retiring from 46 years of running a watch repair business. His photo and story are part of the ‘Portraits of perseverance’ project by Karl Kessler and Sunshine Chen. (Credit: Karl Kessler)
Karl Kessler and Sunshine Chen openly admit to being inspired by Harvey Wang’s New York, a 1990 book of photographic “portraits of men and women in vanishing jobs and professions.”
Amy Keating, playing Velda, an Old Order Amish girl, tells the story of the Amish Mines shooting in 2006 through naïve chalk drawings on the floor of the stage in The Amish Project. (Photo by Joel Mieske/courtesy of Green Light Arts)
Velda, an Older Order Amish girl (played by Amy Keating), lies dead on stage in The Amish Project. (Photo by Joel Mieske/courtesy of Green Light Arts)
In 2006, when the Amish of Nickel Mines, Pa., forgave the man who shot their daughters and offered assistance to his widowed family, the world was divided: Were they insane, misguided or holy beyond human reckoning?
The Niska Artisans cooperative, operating for the past seven years in Timmins, Ont., launched a beadwork display at the Mennonite Central Committee (MCC) Ontario complex at 50 Kent Avenue in Kitchener on Sept. 11.
Churches should be rooted in neighbourhoods or parishes. That’s the claim of the authors, who represent Pentecostal, Anabaptist and Reformed traditions. Our lives and churches are fragmented, and many Sunday commuters pass other churches to meet with people who support their views and where everyone looks and acts similarly.