“Walls became an obsession when I went to Berlin in 2010,” artist Rhonda Harder Epp told the crowd at the opening of her Walls: Arbitrary Impediments art exhibition at King’s University College, Edmonton, last month.
The Rosco boys, from left to right: Trevor Hunsberger, producer; Ken Ogasawara, writer/actor; and Jonathan Steckley, writer/director. (Photo courtesy of Rosco Films)
Ken Ogasawara, right, hangs out with a friend in The Volunteer, exchanging stories and working through bad relationships. (Photo courtesy of Rosco Films)
When filmmakers get around to showing their work to their family and community, it is usually a past project for them.
Such was the case for Rosco Films, whose principals—Jon Steckley, Ken Ogasawara and Trevor Hunsburger—grew up at Shantz Mennonite Church, Baden, Ont.
Nine months after Darren Aronofsky’s biblical spectacle, Noah, we get Ridley Scott’s biblical spectacle, Exodus: Gods and Kings. I wasn’t a big fan of Noah, but at least it was original and made some effort to bring a 21st-century perspective to the familiar Sunday school story.
“We’re not meant to save the world; we’re meant to leave it.” So says the protagonist of Interstellar, a grand science fiction epic from Christopher Nolan. One of Hollywood’s best ‘blockbuster’ directors (Inception, the Dark Knight trilogy), he has created the best film to come out of Hollywood this year. It may also be the most dangerous.
Aden Bauman sits at his home work bench after retiring from 46 years of running a watch repair business. His photo and story are part of the ‘Portraits of perseverance’ project by Karl Kessler and Sunshine Chen. (Credit: Karl Kessler)
Karl Kessler and Sunshine Chen openly admit to being inspired by Harvey Wang’s New York, a 1990 book of photographic “portraits of men and women in vanishing jobs and professions.”
Amy Keating, playing Velda, an Old Order Amish girl, tells the story of the Amish Mines shooting in 2006 through naïve chalk drawings on the floor of the stage in The Amish Project. (Photo by Joel Mieske/courtesy of Green Light Arts)
Velda, an Older Order Amish girl (played by Amy Keating), lies dead on stage in The Amish Project. (Photo by Joel Mieske/courtesy of Green Light Arts)
In 2006, when the Amish of Nickel Mines, Pa., forgave the man who shot their daughters and offered assistance to his widowed family, the world was divided: Were they insane, misguided or holy beyond human reckoning?
The Niska Artisans cooperative, operating for the past seven years in Timmins, Ont., launched a beadwork display at the Mennonite Central Committee (MCC) Ontario complex at 50 Kent Avenue in Kitchener on Sept. 11.
Churches should be rooted in neighbourhoods or parishes. That’s the claim of the authors, who represent Pentecostal, Anabaptist and Reformed traditions. Our lives and churches are fragmented, and many Sunday commuters pass other churches to meet with people who support their views and where everyone looks and acts similarly.
Seeking to honour the faith of Mennonite mothers who single-handedly brought their families through difficult and challenging experiences to safety, Winnipeg artist Ray Dirks has created “Along the Road to Freedom,” a travelling exhibit currently on display at Conrad Grebel University College’s new gallery in Waterloo, Ont.
The big blockbuster of the summer is the critically acclaimed Dawn of the Planet of the Apes, the sequel to 2011’s Rise of the Planet of the Apes. It is set in the near future, in which an epidemic—created by the same retrovirus that made apes as intelligent as humans—has wiped out most of the world’s human population.
Writing as a spiritual journey and what it means for writers and readers was the topic of a July 11 authors forum at House of James Christian bookstore. Drawing on a variety of experiences, three Mennonite book authors addressed “writing as a spiritual journey” as they discussed their books and the process of writing them.
Masie Sum, professor of music at Conrad Grebel University College, plays hand drum as part of the Grebel Gamelan players, at Sound in the Land on June 7. Gamelan are ensembles of Balinese percussion instruments. The Sound in the Land festival/conference was held at Grebel June 5-8, 2014.
Sound in the Land. Sound of the Land. Sound for the Land. Sound with and behalf of and from the Land. Sound. Land. Take your pick, there was something of all these in the 2014 Sound in the Land festival/conference, June 5-8 at Conrad Grebel University College.
Henry Neufeld holds an ornamental walking stick that he carved from wood he picked up at Camp Assiniboia.
Ruth Heinrichs displays her mother’s wedding dress worn in 1911. Hanging beside it is her own wedding dress that she wore in 1951.
Lillian Toews holds a child-size violin she made in 1977. Beside her are portraits she has painted of her granddaughter and husband.
A buzz of excitement filled the common room at Bethel Place on June 5. A button collection with buttons dating as far back as the 1700s, photos over 100 years old, a beautifully polished samovar that was brought from Russia in 1923 and many other artifacts and artwork were among the items that evoked conversations and memories.
“I’m hoping it’ll be like a three-day book club,” said one participant of the continuing education event offered by Mennonite Church Saskatchewan recently.
All of the instruments played by members of Paraguay’s Recycled Orchestra are made from garbage, including this upright bass fashioned from a discarded oil drum.
What do cake pans, candy tins, bottle caps and wooden pallets have in common? They were all found in a landfill, and they’ve all been made into musical instruments for Paraguay’s Recycled Orchestra.
In 2010 Todd Burpo, a Wesleyan pastor from Nebraska, told the “astounding story” of his four-year-old son Colton’s “trip to heaven and back.” Heaven is for Real (Thomas Nelson Publishers) tells the story of the tribulations of the Burpo family: too little pay, Todd’s kidney stone emergencies, a business that was barely making ends meet, and finally Colton’s ruptured appendix, following
Those who miss the days of Hollywood biblical epics will be happy to see that one of the first stories we hear in Sunday school has come to the cinema as a grand, big-budget spectacle. Darren Aronofsky’s Noah has opened to widespread critical acclaim and blockbuster status, defying the expectations of those who thought it was too controversial to succeed.
Five Core Media, a video production firm in Goshen, Ind., has produced an American Sign Language (ASL) version of Who Are the Mennonites?, a DVD/video originally produced by a predecessor agency of MennoMedia. The production company worked with a translation team organized by Sheila S. Yoder, long-time deaf ministries advocate.