Retired missionary Mary Derksen didn’t start out to write a book about the 45 years she and her late husband spent as missionaries in Japan. But she has just completed the story of the couple’s ministry there: Rise and Shine! 45 Years in the Land of the Rising Sun.
David MacGregor, a Grade 11 student in Alan Sapp’s drama class, performs his version of ‘The Shoes.’ Multiple performances were offered by different students, each one a different interpretation using only the same pair of boots. (Photo by Dave Rogalsky)
Lei Tian, an international student from China, shows off his industrial design project. Using parts ordered online and a 3D printer, his project is for a face recognition bike locking station. A Grade 12 student, Tian has been accepted into the prestigious Central Saint Martins, a constituent college of the University of the Arts in London, England. (Photo by Dave Rogalsky)
The works of Grace Kim focus on the theme of perceptions, using reflections to explore reality. Notice that in the painting of puddles the figure only appears in the reflection, not in reality. The artist is the daughter of Kyong-Jung Kim, the former director of the Korean Anabaptist Center who is now studying at Conrad Grebel University College in Waterloo, and Ellen Kim. (Photo by Dave Rogalsky)
Karen Scott Booth, head of Rockway Mennonite Collegiate’s Grade 10-12 visual arts program, exudes pride in the work of her students.
“Mirage: An exhibition of visual art,” held at the school on April 24, 2018, showed why.
Paul Dueck and Darryl Neustaedter Barg lead singing at the new worship and song collection fundraiser held at Douglas Mennonite Church in Winnipeg earlier this year. (Photo by Nicolien Klassen-Wiebe)
Marilyn Houser Hamm leads the congregation at Winnipeg’s Douglas Mennonite Church in singing ‘What is This Place.’ (Photo by Nicolien Klassen-Wiebe)
Music is an integral part of Mennonite worship. Whether it’s in church, at camp, at school or in everyday activities, songs have been faithful companions to Mennonites for centuries.
Paper bead and found materials walk across the table, or form birds that will talk. (Photo by Dave Rogalsky)
Carolyn Good ‘lights up’ one of her sculptures of found materials and paper beads. (Photo by Dave Rogalsky)
Talking birds, paper and rose petal beads, walking jewellery, found-art sculptures. With these and other works, Carolyn Good’s recent show at the WalterFedy-Architecture, Engineering, Construction offices on Queen Street in Kitchener showed off her Mennonite roots of reusing and recycling.
‘Death and Life.’ A stump rotting away at Hidden Acres Mennonite Camp speaks of a life well lived and a death creating new life. (Photo by Canadian Mennonite)
Annemarie Rogalsky’s Waterloo ‘Hinterland’ paintings, a four-season cycle, at her solo show ‘The Anthrocene Revisited’ at the Minto Gallery in Harriston, Ont., in February. (Photo by Canadian Mennonite)
Annemarie Rogalsky presents her artist’s statement at the opening of her solo show ‘The Anthrocene Revisited’ at the Minto Gallery in Harriston, Ont., on Feb. 4. (Photo by Canadian Mennonite)
‘Hope Realized.’ This painting focusses on a swamp at Rondeau Provincial Park in southern Ontario. Of no intrinsic value, it harbours the only Canadian nesting site of the Prothonotary warbler. Reflecting on this scene begs the question about hierarchies of values. (Photo by Canadian Mennonite)
Annemarie Rogalsky, a member of First Mennonite Church in Kitchener, Ont., had a solo show of her landscapes at the Minto Gallery in Harriston during the month of February. Of her images, she says:
Jess Reimer recalls the first time a friend told her about Jeremy Hamm, the man who would become her musical partner and husband.
“I remember being excited there was a guy who wasn’t a senior citizen who was into bluegrass like me,” she says.
Seven Points on Earth, Paul Plett’s documentary about Mennonite farmers around the world, premiered at Winnipeg’s Real to Reel Film Festival on Feb. 21, 2018. The hour-long film tells the story of seven Mennonite farming families in seven different countries: Canada (Manitoba), United States (Iowa), The Netherlands, Zimbabwe, Indonesia, Bolivia and Russia (Siberia).
Rosanna Deerchild, host of CBC Radio One's Unreserved, reads a poem from her book Calling Down the Sky. The book tells the story of residential schools in Canada and her own mother's experiences and struggles as a generational survivor. (Photo by Nicolien Klassen-Wiebe)
Bryn Friesen Epp of Home Street Mennonite Church in Winnipeg, adds a leaf to a collaboratively decorated tree. Each leaf contains a gallery visitor's hope for reconciliation and commitments to taking part in it. (Photo by Nicolien Klassen-Wiebe)
Clairissa Kelly and Marlene Gallagher organized the Reconciliation Through the Arts exhibition. (Photo by Nicolien Klassen-Wiebe)
Clairissa Kelly, right, her mother Marie, and her Grandmother Lorraine, seated, are pictured in front of 'Granny Lorraine.' Kelly, coordinator of the Peguis Post-Secondary Transition Program at Canadian Mennonite University (CMU), and Rick Unger, a CMU maintenance technician, used acid on metal and etching techniques to create the rusted portrait. (Photo by Nicolien Klassen-Wiebe)
Jochebed Giesbrecht, Laura Carr-Pries and Allegra Friesen Epp stand around Tracy Fehr's installation of clay bowls. Fehr encourages visitors to take a bowl in honour of an important woman in their life and leave a note about the woman in its place. (Photo by Nicolien Klassen-Wiebe)
A collection of photographs and pieces of abandoned Canadian residential schools. (Photo by Nicolien Klassen-Wiebe)
Clairissa Kelly smudges the Mennonite Heritage Centre Gallery in preparation for the exhibition's opening event. (Photo by Ray Dirks)
Clairissa Kelly gives roses to the many different artists involved in the Reconciliation through the Arts exhibition. Over 15 artists were involved in creating the many diverse pieces on display. (Photo by Ray Dirks)
Clairissa Kelly’s daughter, Chloe Mallett, dances for a large audience at the exhibition’s opening event. (Photo by Ray Dirks)
Around 200 people gathered at the Mennonite Heritage Centre Gallery on Jan. 26 to celebrate the opening of Reconciliation Through the Arts, an exhibition of Indigenous and settler art that explores the history and present reality of colonization in Canada and different visions of reconciliation.
The golden age of Mennonite women’s organizations in Canada and the United States came in the years between 1940 and 1970, writes Anita Hooley Yoder in Circles of Sisterhood.
To celebrate its 30th anniversary, a Vancouver congregation produced a documentary featuring its church. Many Voices, One Song: The Story of Point Grey Inter-Mennonite Fellowship is a 27-minute video telling both the history of Point Grey and how it contributes to and enriches the faith of its members.
Jim Tubb sits in his Duke Street studio in Kitchener, Ont., surrounded by paintings, art supplies and the music—including jazz—that fuels his work. (Photo by Dave Rogalsky)
Jim Tubb’s jazz-inspired paintings are stacked up to be chosen for a show in the spring at the Registry Theatre in Kitchener, Ont. (Photo by Dave Rogalsky)
Jim Tubb has lived on borrowed time for more than 40 years.
In 1975, he was told that he had only a short time to live due to respiratory issues, but he says that in the meantime he’s had “a fantastic life.”
Planning Special Assembly 2017 worship might be a daunting task, but with the right team—and the right music—the spirit of the event will follow people home.
With that idea in mind, the worship committee for Mennonite Church Canada’s special assembly in Winnipeg, to be held from Oct. 13 to 15, 2017, is bringing to the event a new song written by Phil Campbell-Enns.
Episcopalian priest Michael Spurlock has a problem. His diocese has ordered him to oversee the closing of the dying All Saints Church in Tennessee, but then a group of Karen refugees from Southeast Asia start attending. Michael senses God’s call and sees an opportunity for both the congregation and the immigrants to prosper through farming a small plot of land adjoining the church.
The past two years have seen the publication of two interesting new collections of academic writing on Mennonite themes, one theological and the other historical. While other reviewers such as Jamie Pitts and Ben Goossen have reviewed these books in detail elsewhere, I would like to reflect on them in much broader terms and ask what they might mean for Mennonites today.